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You can't be a desktop movie editor without a DV camera. The latest edition in our Digital Media series looks at the Digital8 line of camcorders from Sony. The cameras are full of features, affordable and offer some uniquely powerful functions. Besides being one of the most affordable DV camcorders on the market, Sony's Digital8 cameras also prove to be among the most versatile. The Combo To venture down the path of desktop video editing, you'll need a FireWire-equipped Mac, video editing software and a DV device. Apple is currently shipping FireWire on its all PowerMac, PowerBook and most of its iMac computers. Other Mac users can take advantage of PCI and PCMCIA upgrades to bring their machines up to speed. One particular upgrade that I've tested for PowerBook users is the FireWire2Go
PC Card from Newer Technology. For software, Apple made the decision easy a few
weeks ago by releasing its free iMovie software, so now
all Mac users can dabble in DV editing. For those looking for greater sophistication,
I've been using EditDV from Digital Origin. This now leaves us with a DV device. In nearly all cases, Mac users will acquire their DV footage from a DV camcorder. Basically, DV cameras record video in the DV format. Once in DV, your video is now data and the camera can stream this data to your Mac via its FireWire port. The DV data stream is a constant 3.7 MB/sec, which can be adequately handled by any current Mac system. Once captured, DV data is then saved on the Mac as a QuickTime movie, still in the DV format. What's really cool about this is that during this process, your video remains unchanged. You can take your DV footage and transfer back and forth between camera and computer, and never lose any quality. One other neat feature of DV cameras is that they can be controlled from the computer. In other words, within the editing software, you can tell the camera to play, fast forward or record. The Format Digital8 cameras use standard 8mm videotapes. Unlike other DV cameras, which use MiniDV, 8mm offers an affordable solution without giving up much ground on quality. While MiniDV offers higher-grade media, 8mm can be much less expensive. The bottom line, however, is that both formats save your video digitally in the DV format. The DV format ensures quality over time and also during transfers. If quality is a real concern with 8mm, Sony has a line of 8mm tapes designed for Digital8 cameras, which besides being more expensive also offer higher quality. One real big feature with Digital8 is that they can not only play and record DV on 8mm tapes, but it can also play 8mm analog video. This is big news for people with older 8mm cameras. This means that all those analog 8mm tapes can be played on Sony's Digital8 cameras. So not only will you still be able to view the old tapes with the new camera, but you'll be able to also stream them via FireWire to your Mac, just as if they were recorded in DV. The implications of this are huge. Not only can the Digital8 camera convert analog 8mm video into DV, but it can also do it on the fly. Even more impressive is that the video signal is held in check. As it's well known, when you duplicate a video signal, you get a "dub" effect, where video gets fuzzy and loses its integrity. In my tests, I found that bringing the video directly to DV in this way helps to reduce the "dub" effect. The video's signal tends to be much better than if something like the Sony Media Converter was used, which usually leads to a full video dub.
The Camera
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